Dan Nixon

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“Amazing video by Dan Nixon (actually, check out everything the lad has done - all fine fine work) for the Cold Pumas.”
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“Cold Pumas, a UK group with heavy emphasis on structural sounds, take a van to a show, where they play. There’s no audience, adoring or otherwise. They work it out just fine, a lot of grunts and hard face squints, but there’s no mystery. Maybe this is a PSA to younger bands—for the most part, the glory is your own.”
The Fader [is ‘no mystery’ a good thing?]
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Cold Pumas - Jela

This is the video for Cold Pumas’ Jela, the first release on Hungry For Power records, the label I run.

I travelled with the band when they played at the Offset Festival in September, filming it all on a Sony EX1.

Back in the summer I’d written a bit of software that takes sound and video files as inputs and then manipulates the order of the video frames in relation to the amplitude of the sound.  Or, to put it another way, the image jumps forward every time the kick drum’s hit.  I showed a demo of this to the band when we were first talking about putting a record out and they really liked the idea.  So this became integral to the video.

It still needed a framing device and a sense of progression so they suggested I accompany them to the festival.  From there the idea emerged of a DIY Range Life prior to the synesthesia of their performance.  Which is pretty much what happens.

I’ll go into more detail about the techniques used in another post…

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A frame export from Apple Color while I play with the grade for the Jela video.  Classic desaturated bloom effect on the highlights.  Probably not where I’m going with this but the light looked nice.

A frame export from Apple Color while I play with the grade for the Jela video.  Classic desaturated bloom effect on the highlights.  Probably not where I’m going with this but the light looked nice.

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Cold Pumas - Jela (trailer)

A shot from the Jela footage set to the first minute or so of the track.  I stuck this together to promote the launch of the single on 5th October.

The video was shot on the lovely Sony EX1 at the equally lovely Offset Festival in Essex.  After shooting the day before for a different project I travelled to the festival with the band in the morning and then had to rush back to Brighton afterwards to play at 13monsters that night.  Pretty exhausting weekend all in.

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YES WAY trailer

My Yes Way festival film screened as part of the Seripop exhibition at Newcastle’s Baltic Centre for Contemporary Art at the beginning of August. It was a shorter one hour edit of the film featuring 22 bands.

Dummy magazine gave it a rather nice review here.

“this is clean, clear and for the most part brilliantly executed. With no concessions to pointless pans-around-the crowd or other such nonsense…it’s fixed on the stage, focused on the feel of being an audience member. Perhaps it would be a cliché to say ‘it makes you feel like you were there’…but it really, realy does.”

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Telepathe - Devil's Trident (Mi Ami remix)

This is a video I shot for a Telepathe remix project curated by the music blog 20JFG. The track, Devil’s Trident, has been remixed by four different acts to be put out on a 12” through Merok Records. They asked me to produce a video to accompany one of the more abstract tracks on the EP, a remix by Mi Ami. It’s by far the longest music video I’ve ever shot.

The video was shot in Alfriston Wood in East Sussex over two days in September 2008.

www.myspace.com/telepathe

www.myspace.com/miamiamiami